![]() Lee Ermey, at the rare behest of director Stanley Kubrick, improvised a barrage of creative insults toward the deer-in-the-headlights recruits over whom his character presides. In a scene that is now cinematic legend, R. ![]() Much of Full Metal Jacket’s humor comes from one character: The Drill Sergeant. This duality of storytelling makes Boogie Nights not only one of the funniest non-comedies but one of the greatest movies, and solidified Paul Thomas Anderson as a subversive mastermind. Other scenes, like the record producing sequence and Philip Seymour Hoffman’s repressed lust are also extremely funny, but express an underlying hopelessness. The absurd calls his name, and the answer breaks his trance and leads to Dirk and Reed, after a few small hiccups, escaping with their lives. Dirk echoes our thoughts in a now-famous camera staredown in which he contextualizes the situation and sees what his life has become. The trio tries to keep their cool but this becomes impossible as the drug-fueled mania becomes unbearable. The dealer is out of his mind, singing 80s pop hits and rattling off non sequiturs, while a Chinese boy lights firecrackers in the background for no discernible reason. However, things get so wacky off the bat that the soundness of the plan is quickly doubted by the hopeful thieves. Dirk, Reed, and Todd visit Alfred Molina’s drug dealer character with the intent of ripping him off with fake product. Take the scene with the botched drug deal. Following porn star Dirk Diggler through his rise and fall in the industry, the film weaves tattered strings of lavish hedonism into an absurd but poignant whole, producing laugh out loud moments and thoughtful ruminations all at once. This concept is easier executed in Boogie Nights, wherein the plot is insane to begin with. You can watch Matthew Modine and Vincent D'Onofrio discuss R.Unlike other dramedies that use out of place jokes and random events for comedic purposes, Boogie Nights plays the long game: a multi-contextual setup for which the film is the punchline. It not only would have been a serious tonal shift for the classic movie, but also would have had the effect of completely changing the way audiences look at R. Pyle in the latrine ready to kill both Hartman and himself. ![]() The scene with the "You're not a writer you're a killer" dialogue that Matthew Modine referred to is from the sequence where the recruits were graduating from boot camp - which means that the recital of the poetry would have been featured almost immediately before Modine's Pvt. I've now had a couple of days to reflect on hearing this story, and as funny as it is, it's also not particularly hard to understand why Stanley Kubrick didn't ultimately include it in Full Metal Jacket. Vincent D'Onofrio: I didn't think you were going to go there! But the reveal, the punchline to this beautifully written poem - it rhymed and everything - was that the woman was making love with a gorilla. Matthew Modine: It's not a thing that can be repeated. Vincent D'Onofrio: It's nothing you can say now. Matthew Modine: There was this poem about this woman who would go and open a cage and go in and make love to this person, and. Matthew Modine then proceeded to actually tell me what the entire poem was about, and I won't be ruining the punchline for you here.
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